Her family moved to Simla in 1921, where Sher-Gil was home-schooled in art by Major Whitmarsh. She later joined classes to study painting under an artist named Beven Pateman. Following encouragement from her Hungarian uncle, Ervin Baktay, Sher-Gil travelled to Europe to continue her education.
In France, she was enrolled at École Supérieure des Beaux-Arts where she studied the academic style of painting, becoming the youngest artist and the only Asian to be awarded a gold medal; she was also elected an associate member of the Grand Salon. Outside of the rigours of an academic schooling, the time spent among the French Bohemians played an important role in developing her artistic personality.
In her struggle to carve a unique artistic identity, Sher-Gil decided to move back to India. She travelled the country, visiting Bombay and further south, including the caves of Ajanta and Ellora, in a bid to explore the rich diversity of Indian culture. She strove to interpret the life of Indians, particularly the poor, through her own visual vocabulary which led her to paint various iconic canvases in her short artistic career.
Despite her untimely death on 5 December 1941, she became the first woman artist to be recognised from India for her extraordinary boldness and felicity as a painter. In 1976, she was declared a National Treasure artist by the Government of India.
Self-portrait, 1930
Hungarian Gypsy Girl, 1932
Young Girls, 1932
Sleeping Woman, 1933
Self Portrait as Tahitian, 1934
Group of Three Girls, 1935
Mother India, 1935
Bride's Wash Room, 1937
South Indian Villagers Going to Market, 1937
Brahmacharis, 1937
In the Ladies Enclosure, 1938
Tribal Women, 1938
Camels, 1941
Village Sales
The Story Teller
Dressing The Bride